Beatriz González was born in Bucaramanga, Colombia in 1938. "Meet Beatriz Gonzalez, Colombia's Queen of Pop Art | Amuse", "Artist interview: Beatriz González | Tate", "ART REVIEW; A Wry Defiance Behind Garish Colors and Tabloid Dramas", https://en.wikipedia.org/w/index.php?title=Beatriz_Gonzalez&oldid=992989157, University of Los Andes (Colombia) alumni, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, The Suicides of Sisga I, II and III, La Última Mesa, Nací en Florencia, What an Honor to Be With You at This Historic Moment, Works 1965-1997, 1998, El Museo del Barrio, documenta 14, Athens, Greece and Kassel, Germany, 2017, This page was last edited on 8 December 2020, at 05:18. González claimed that she was attracted to this picture due to its "bad quality" or more so its plain quality, the simplification of the facial features that were almost deformed by the discrepancy. 10 Colombian Artists Who Are Shaping Contemporary Art. The theme of mother and child was one that commonly occurred in her artwork thus turning González herself into an image of maternity. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. Available for sale from Nohra Haime Gallery, Beatriz González, Viva Mexico (1982), Metal, 12 2/5 in These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. [2], Beatriz González was born in Bucaramanga, Colombia in 1938. Beatriz GONZALEZ (1938) (Colombia) is an artist born in 1938 The oldest auction result ever registered on the website for an artwork by this artist is a furniture sold in 1989, at Sotheby's, and the most recent auction result is a painting sold in 2020. Beatriz González might not be keen on the idea, but museum visitors considering her work for the first time could see her as a Latin American Andy Warhol, Jasper Johns or … Artwork page for ‘The Last Table’, Beatriz González, 1970 González stood out from her contemporaries as one of the first artists in Colombia to draw inspiration from the mass media, creating dialogue between popular narratives and formal painting. Find more prominent pieces of figurative at Wikiart.org – best visual art database. González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. The Artist. Spanish Illustrator. Although González is often referred to as an artist of the pop art movement, she has never considered herself a pop artist. Beatriz González Reveals the Politics and Painting of Colombia The artist's first United States retrospective arrives at the MFAH with a pop of color. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. [5] This work along with many of the others out of her furniture works had the intention of being a "representation of representations" not only through an effort to make universal art, but also to subvert the original function of the furniture itself. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. Artprice.com's price levels for this artist … The Artsy Vanguard 2019: 50 Artists to Know Right Now. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Auction Records. She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). Beatriz González. This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. Beatriz González Museo de Arte Miguel Urrutia After earlier presentations at the Museum of Fine Arts, Houston, and the Pérez Art Museum Miami, this retrospective—the most comprehensive showing to date of the work of Beatriz González, one of the most influential living Colombian artists— finally arrived at the Museo de Arte Miguel Urrutia in Bogotá. González is often associated with the Pop Art movement. The artist co-opted these widely-circulated pictures of mothers, children, saints, and other sentimental figures as a way to question taste, both in popular culture and in her avant garde art circles. Exh. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Buy / Sell. Auction Records (3) This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). The full title of this work is Nací en Florencia y tenía 26 años cuando fue pintado mi retrato (esta frase pronunciada en una voz dulce y baja), translated to I was born in Florence and was 26 years old when my portrait was painted (this phrase pronounced in a low, sweet voice). "[5], She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. “The idea of taking images from everyday reality runs through my whole career,” says González. Sep 16th, 2019. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. She grew up in Colombia in the 40s and 50s, during an era of … She returned to Bucaramanga in 1958. Beatriz Gonzalez is known for painting. The full text of the article is here →, https://en.wikipedia.org/wiki/Beatriz_Gonzalez, Sketch for Elementary Landscapes: Fire in the Sierra, Señor presidente, qué honor estar con usted en este momento histórico. González is often associated with the Pop Art movement. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. She returned to Bucaramanga in 1958. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. González intentionally chose this particular work by da Vinci because of its popularity in Colombian culture, this image was commonly placed above the main entrance door as a good-luck charm against thieves. It consisted of Leonardo da Vinci's Last Supper work that had been repainted onto metal sheets that were them mounted on a faux-wood dining table. Exhibition organized by Tobias Ostrander and Mari Carmen Ramírez. Colombian artist Beatriz González also graciously opens our minds in the process, exposing the world to us in ways we may not have considered. The painter, art historian, and critic Beatriz González was born in Bucaramanga, Colombia, in 1938. Bea González (Vhea)'s Portfolio. View Beatriz González’s artworks on artnet. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. Digital and traditional art “The idea of taking images from everyday reality runs through my whole career,” says González. Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. Beatriz Gonzalez (Born 1936) Beatriz Gonzalez is active/lives in Columbia. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). Available for sale from Alonso Garcés Galería, Beatriz González, Ay Jerusalem, jerusalem (1969), Esmalte sobre lámina de metal, 100 × 120 cm Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Articles Featuring Beatriz González. This work was one of González's first furniture pieces out of her series of furniture works. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. [3] In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. Their work was featured in numerous exhibitions at key galleries and museums, including the Brooklyn Museum of Art and the Benaki Museum of Greek Culture.Beatriz González's work has been offered at auction multiple times, with realized prices ranging from $3,509 USD to $137,500 USD, depending on … She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. Notably influenced by both the colorful character of pop art and the wide spectrum of Colombian local art, the painting and sculpture of Beatriz González explores political, social, and romantic subjects with equal insight. [3], González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. In this work, González placed her own painting of da Vinci's Mona Lisa where the mirror would be on a very large and elaborate antique coat rack. … This was after the M-19 guerrilla attack on the Palace of Justice in an attempt to try to president, they left 94 dead. This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". [2][7], When she painted three Colombian presidents (Julio César Turbay Ayala, Carlos Lleras Restrepo, and Belisario Betancur) wearing Native Amazonian headdresses next to a Native Amazonian, many interpreted it as a portrayal of their inefficiency as presidents. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). Beatriz González is a Colombian painter, sculptor, critic, curator and art historian. The painting was painted on a sheet of metal that was then mounted on the inside of a crib that González found in the streets of Bogóta that originally belonged to a hospital. Resources. This painting was based on a photo that originally appeared in the press of a couple who commissioned a professional photographer to take their portrait before jumping off the dam of the Sisga on the outskirts of Bogotá. See all articles Tobias Ostrander and Mari Carmen Ramírez. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. This work – included in the Museo Reina Sofia’s retrospective of Beatriz González curated by María Inés Rodríguez, on until September 22 nd – hangs as a backdrop to a collection that, at first glance, could be a furniture store. When her new exhibit, “Beatriz González: a Retrospective,” opens at the Peréz Art Museum Miami April 19, it will be the first large-scale U.S. retrospective of … Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Beatriz González. Based in Bogotá, González (born 1938) is not only an internationally celebrated artist but also one of the few living representatives of the “radical women” generation from Latin America. Mine was a provincial type of art without horizons, confronting the everyday: art is international." 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